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Fitz Henry Lane Formerly Fitz Hugh Lane Canvas Print featuring the painting Stage Fort across Gloucester Harbor. by Fitz Henry Lane -formerly Fitz Hugh Lane-

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

12.00" x 7.00"

Overall:

12.00" x 7.00"

 

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Stage Fort across Gloucester Harbor. Canvas Print

Fitz Henry Lane -formerly Fitz Hugh Lane-

by Fitz Henry Lane -formerly Fitz Hugh Lane-

Small Image

$60.00

Product Details

Stage Fort across Gloucester Harbor. canvas print by Fitz Henry Lane -formerly Fitz Hugh Lane-.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

Stage Fort across Gloucester Harbor. Artist: Fitz Henry Lane (formerly Fitz Hugh Lane) (1804-1865). Dimensions: 38 x 60 in. (96.5 x 152.4 cm). Date:... more

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3 - 4 business days

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Canvas Print Tags

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Painting Tags

paintings sunset paintings sky paintings beach paintings boat paintings united states paintings 19th century paintings dusk paintings evening paintings fort paintings harbor paintings harbour paintings legend paintings military paintings sundown paintings twilight paintings

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Artist's Description

Stage Fort across Gloucester Harbor. Artist: Fitz Henry Lane (formerly Fitz Hugh Lane) (1804-1865). Dimensions: 38 x 60 in. (96.5 x 152.4 cm). Date: 1862.
Lane returned to his native Gloucester from Boston in 1848. His works of the 1850s and 1860s are successively purged of genre and topographical elements, becoming increasingly spare and essential. By 1862, Lane had engineered a seamless, self-effacing style, possibly influenced by the works of Martin Johnson Heade. Stage Fort, once the site of military fortifications, sits on an arching land form used to lead the viewer's eye into the glowing, lucid, and almost eerily still distance. Despite the disjuncture between the virtually surreal, meticulously painted foreground and the sheer plane of water near the horizon, this work marks the transition to Lane's final, taut, elemental style. The painting's disquieting stasis, even with its hopeful pink and golden glow, creates a hermetic, elegiac mood found in many of Lane's late works....

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