CLAUDIA CARDINALE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK.
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Woman at the window making a sign to a little girl. Second half of 17th century. Oil on panel. 45...
Jacobus Vrel
GINGER ROGERS and FRED ASTAIRE in TOP HAT -1935-.
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Paul Gauguin Fatata te miti / By the Sea. Date/Period 1892. Painting. Oil on canvas.
Paul Gauguin
BARBRA STREISAND in HELLO, DOLLY -1969-.
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CHARLIE CHAPLIN and VIRGINIA CHERRILL in CITY LIGHTS -1931-. #1
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SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK.
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SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #1
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SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #2
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SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #3
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Birth of Venus. Canvas,210 x 73,2cm. EUGENE EMMANUEL AMAURY DUVAL .
Eugene Emmanuel Amaury Duval
Marilyn Monroe . #16
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DEBORAH KERR and BURT LANCASTER in FROM HERE TO ETERNITY -1953-. #2
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'Rigoletto' employs Sparafucile to murder Duke from Verdi opera Act III, Scene 4. Liebig card.
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Lighthouse in Breaking Waves. Vuurtoren in de branding.
Hendrik Willem Mesdag
Paul Baudry / 'The Pearl and the Wave', 1862, French School.
Paul Baudry -1828-1886-
SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #4
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CLAUDIA CARDINALE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #1
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SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #5
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SHARON TATE in DON'T MAKE WAVES -1967-, directed by ALEXANDER MACKENDRICK. #6
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DEAN MARTIN in SOME CAME RUNNING -1958-.
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BURT LANCASTER , GINA LOLLOBRIGIDA and TONY CURTIS in TRAPEZE -1956-.
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WELCOME MR. MARSHALL -1953- -Original title BIENVENIDO, MR. MARSHALL-.
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WELCOME MR. MARSHALL -1953- -Original title BIENVENIDO, MR. MARSHALL-. #1
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Ulysses and the Siren. Oil on canvas Triptych.
Friedrich d J Preller
Palavas. Oil on canvas.
Gustave Courbet -1819-1877-
Ships in distress on a coast. Canvas, 87 x 103 cm Inv. 447.
Jan Peeters I -1624-1677-
Constance Bennett .
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'The Bull-Fighter's Salute', 1869, Oil on canvas, 61 x 50,2 cm.
Mariano Fortuny y Marsal -1838-1874-
Arthur Miller . Marilyn Monroe .
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HARPO MARX , THE MARX BROTHERS , CHICO MARX and GROUCHO MARX in GO WEST -1940-.
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MARILYN MONROE and JANE RUSSELL in GENTLEMEN PREFER BLONDES -1953-. #2
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JANE FONDA in BARBARELLA -1968-. #4
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And You Thought Your Parents Were Weird -1991-.
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TONY CURTIS and JANET LEIGH in THE PERFECT FURLOUGH -1958-, directed by BLAKE EDWARDS.
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JUDY GARLAND in PRESENTING LILY MARS -1943-, directed by NORMAN TAUROG.
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EDWARD J. BROMBERG in SUEZ -1938-, directed by ALLAN DWAN.
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VICTOR MCLAGLEN and SHIRLEY TEMPLE in WEE WILLIE WINKIE -1937-, directed by JOHN FORD.
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IDA LUPINO in ARTISTS and MODELS -1937-, directed by RAOUL WALSH.
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JUDY GARLAND in MEET ME IN ST. LOUIS -1944-, directed by VINCENTE MINNELLI.
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Etude pour La Vague - Study for The Wave,1907 Pastel,crayon,chalk and charcoal on paper,65 x 34 cm.
Carlos Schwabe
Fishing Pinks in Breaking Waves. Pinken in de branding.
Hendrik Willem Mesdag