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Watercolor And Graphite Metal Print featuring the painting A Parkland View at Dusk. #1 by William Leighton Leitch

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A Parkland View at Dusk. #1 Metal Print

William Leighton Leitch

by William Leighton Leitch

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$66.00

Product Details

A Parkland View at Dusk. #1 metal print by William Leighton Leitch.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

A Parkland View at Dusk. Artist: William Leighton Leitch (British, Glasgow, Scotland 1804-1883 London). Dimensions: sheet: 8 1/8 x 13 1/4 in. (20.6 x... more

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3 - 4 business days

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A Parkland View at Dusk. #1 Painting by William Leighton Leitch

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A Parkland View At Dusk. #1 Metal Print

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A Parkland View At Dusk. #1 Acrylic Print

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A Parkland View At Dusk. #1 Wood Print

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A Parkland View At Dusk. #1 Greeting Card

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Metal Print Tags

metal prints blue metal prints brown metal prints green metal prints landscape metal prints london metal prints

Painting Tags

paintings blue paintings brown paintings green paintings landscape paintings london paintings

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Artist's Description

A Parkland View at Dusk. Artist: William Leighton Leitch (British, Glasgow, Scotland 1804-1883 London). Dimensions: sheet: 8 1/8 x 13 1/4 in. (20.6 x 33.6 cm). Former Attribution: Peter De Wint (British, Hanley, Stoke-on-Trent 1784-1849 London). Date: ca. 1879.
Bold shadows from the late-day sun stretch across the landscape. Deft touches of green, brown, blue, and ochre watercolor create a parkland lined with ancient trees, and fluid washes in similar tones suggest the rolling earth and crepuscular sky. The slightly rough texture of the woven paper heightens the sense of atmosphere, seeming to give presence to the air. Although this drawing was once attributed to Peter de Wint, it bears at the lower right the studio stamp of William Leighton Leitch, who signed and dated a second version of this composition in 1879. A generation younger than De Wint and David Cox, Leitch carried the tradition of naturalistic landscape watercolor painting into the second half of the nineteenth centur...

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