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Oil On Canvas Poster featuring the painting The Love Song. #7 by Sir Edward Burne-jones

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

8.00" x 6.00"

Overall:

10.00" x 8.00"

 

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The Love Song. #7 Poster

Sir Edward Burne-jones

by Sir Edward Burne-jones

Small Image

$17.35

Product Details

The Love Song. #7 poster by Sir Edward Burne-jones.   Our posters are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All posters include a 1" white border around the image to allow for future framing and matting, if desired.

Design Details

The Love Song. Artist: Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: 45 x 61 3/8 in. (114.3 x 155.9 cm). Date:... more

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3 - 4 business days

Additional Products

The Love Song. #7 Painting by Sir Edward Burne-jones

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The Love Song. #7 Canvas Print

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The Love Song. #7 Framed Print

Framed Print

The Love Song. #7 Art Print

Art Print

The Love Song. #7 Poster

Poster

The Love Song. #7 Metal Print

Metal Print

The Love Song. #7 Acrylic Print

Acrylic Print

The Love Song. #7 Wood Print

Wood Print

The Love Song. #7 Greeting Card

Greeting Card

Poster Tags

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Painting Tags

paintings europe paintings unite kingdom paintings 19th century paintings angel paintings artistic style paintings britain paintings british paintings century paintings color paintings colour paintings concept paintings design paintings edward paintings

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Artist's Description

The Love Song. Artist: Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: 45 x 61 3/8 in. (114.3 x 155.9 cm). Date: 1868-77.
Burne-Jones associated this painting with a refrain from a Breton folk ballad: "Alas, I know a love song, / Sad or happy, each in turn." Drawing inspiration from the gothicizing Pre-Raphaelite movement, the artist conjured a twilight scene with a richly romantic, medieval air, enhanced by allusions to Italian Renaissance art, from the warm, dewy colors to the gracious figures and original frame, which recalls sixteenth-and-seventeenth-century Venetian designs. When the picture was first exhibited at the Grosvenor Gallery, London, in 1878, the novelist Henry James admiringly compared it to "some mellow Giorgione or some richly-glowing Titian.". Museum: Metropolitan Museum of Art, New York, USA. Author: SIR EDWARD BURNE-JONES.

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