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Spinello Aretino Spinello Di Luca Spinelli Canvas Print featuring the painting Saint Mary Magdalen Holding a Crucifix, -reverse- The Flagellation. by Spinello Aretino -Spinello di Luca Spinelli-

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

7.00" x 10.00"

Overall:

7.00" x 10.00"

 

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Saint Mary Magdalen Holding a Crucifix, -reverse- The Flagellation. Canvas Print

Spinello Aretino -Spinello di Luca Spinelli-

by Spinello Aretino -Spinello di Luca Spinelli-

Small Image

$60.00

Product Details

Saint Mary Magdalen Holding a Crucifix, -reverse- The Flagellation. canvas print by Spinello Aretino -Spinello di Luca Spinelli-.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation. Artist: Spinello Aretino (Spinello di Luca Spinelli) (Italian, born Arezzo... more

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Canvas Print Tags

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Painting Tags

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Artist's Description

Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation. Artist: Spinello Aretino (Spinello di Luca Spinelli) (Italian, born Arezzo 1345-52, died 1410 Arezzo). Dimensions: 69 1/2 x 47 1/4 in. (176.5 x 120 cm). Date: ca. 1395-1400.
Painted on both sides, this extremely rare work was commissioned about 1395-1400 by the Confraternity of Saint Mary Magdalen in Borgo San Sepolcro and would have been carried in religious processions. On one side the hooded members of the confraternity kneel before their patron saint. On the reverse is the Flagellation of Christ--a reminder of the penitential practices members would have performed. Laymen often joined religious confraternities for communal devotions and charitable acts. Their hooded robes rendered such acts anonymous, in conformity with Christ's injunction that good works should not be done for vain praise.
The face of Christ is a photographic facsimile of the original painted face, which was detached in the nineteenth cent...

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