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Fitz Henry Lane Formerly Fitz Hugh Lane Wood Print featuring the painting Stage Fort across Gloucester Harbor. by Fitz Henry Lane -formerly Fitz Hugh Lane-

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

12.00" x 7.00"

Overall:

12.00" x 7.00"

 

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Stage Fort across Gloucester Harbor. Wood Print

Fitz Henry Lane -formerly Fitz Hugh Lane-

by Fitz Henry Lane -formerly Fitz Hugh Lane-

Small Image

$45.30

Product Details

Stage Fort across Gloucester Harbor. wood print by Fitz Henry Lane -formerly Fitz Hugh Lane-.   Bring your artwork to life with the texture and added depth of a wood print. Your image gets printed directly onto a sheet of 3/4" thick maple wood. There are D-clips on the back of the print for mounting it to your wall using mounting hooks and nails (included).

Design Details

Stage Fort across Gloucester Harbor. Artist: Fitz Henry Lane (formerly Fitz Hugh Lane) (1804-1865). Dimensions: 38 x 60 in. (96.5 x 152.4 cm). Date:... more

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3 - 4 business days

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Wood Print Tags

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Painting Tags

paintings sunset paintings sky paintings beach paintings boat paintings united states paintings 19th century paintings dusk paintings evening paintings fort paintings harbor paintings harbour paintings legend paintings military paintings sundown paintings twilight paintings

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Artist's Description

Stage Fort across Gloucester Harbor. Artist: Fitz Henry Lane (formerly Fitz Hugh Lane) (1804-1865). Dimensions: 38 x 60 in. (96.5 x 152.4 cm). Date: 1862.
Lane returned to his native Gloucester from Boston in 1848. His works of the 1850s and 1860s are successively purged of genre and topographical elements, becoming increasingly spare and essential. By 1862, Lane had engineered a seamless, self-effacing style, possibly influenced by the works of Martin Johnson Heade. Stage Fort, once the site of military fortifications, sits on an arching land form used to lead the viewer's eye into the glowing, lucid, and almost eerily still distance. Despite the disjuncture between the virtually surreal, meticulously painted foreground and the sheer plane of water near the horizon, this work marks the transition to Lane's final, taut, elemental style. The painting's disquieting stasis, even with its hopeful pink and golden glow, creates a hermetic, elegiac mood found in many of Lane's late works....

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