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Pen Brown Ink Gray-green Wash Over Traces Of Black Chalk Touched With Indigo Green Yellowish And White Paint On Paper Canvas Print featuring the drawing The Garden of Love -left portion-. by peter paul rubens Workshop of Peter Paul Rubens

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Top Mat

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Dimensions

Image:

10.00" x 6.50"

Overall:

10.00" x 6.50"

 

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The Garden of Love -left portion-. Canvas Print

peter paul rubens Workshop of Peter Paul Rubens

by peter paul rubens Workshop of Peter Paul Rubens

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$60.00

Product Details

The Garden of Love -left portion-. canvas print by peter paul rubens Workshop of Peter Paul Rubens.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

The Garden of Love (left portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen... more

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Canvas Print Tags

canvas prints peter paul rubens canvas prints europe canvas prints ink canvas prints paper canvas prints pastel canvas prints 17th century canvas prints

Drawing Tags

drawings peter paul rubens drawings europe drawings ink drawings paper drawings pastel drawings 17th century drawings

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Artist's Description

The Garden of Love (left portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 18 1/4 x 27 3/4 in. (46.3 x 70.5 cm) (including added strips at left and right). Date: ca. 1633-35.
Rubens supervised the engravers who reproduced his paintings throughout his career. Only in the early 1630s did he turn to woodcuts, in close collaboration with Christoffel Jegher. These monumental drawings are models based on a composition also known from Rubens's painting in the Museo del Prado, Madrid. They were made for Jegher's woodcuts, which reproduce them in reverse. The initial design in black chalk is by Rubens, while most of the rest of the drawing can be attributed to a workshop assistant. The drawings essentially transform the composition into a frieze, most notably by dividing it into two separate parts, pushing the figures to the foreground and cropping the architecture at the top. This frieze-li...

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