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Pen Brown Ink Gray-green Wash Over Traces Of Black Chalk Touched With Indigo Green Yellowish And White Paint On Paper Metal Print featuring the drawing The Garden of Love -left portion-. by peter paul rubens Workshop of Peter Paul Rubens

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The Garden of Love -left portion-. Metal Print

peter paul rubens Workshop of Peter Paul Rubens

by peter paul rubens Workshop of Peter Paul Rubens

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$66.00

Product Details

The Garden of Love -left portion-. metal print by peter paul rubens Workshop of Peter Paul Rubens.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

The Garden of Love (left portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen... more

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Metal Print Tags

metal prints peter paul rubens metal prints europe metal prints ink metal prints paper metal prints pastel metal prints 17th century metal prints

Drawing Tags

drawings peter paul rubens drawings europe drawings ink drawings paper drawings pastel drawings 17th century drawings

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Artist's Description

The Garden of Love (left portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 18 1/4 x 27 3/4 in. (46.3 x 70.5 cm) (including added strips at left and right). Date: ca. 1633-35.
Rubens supervised the engravers who reproduced his paintings throughout his career. Only in the early 1630s did he turn to woodcuts, in close collaboration with Christoffel Jegher. These monumental drawings are models based on a composition also known from Rubens's painting in the Museo del Prado, Madrid. They were made for Jegher's woodcuts, which reproduce them in reverse. The initial design in black chalk is by Rubens, while most of the rest of the drawing can be attributed to a workshop assistant. The drawings essentially transform the composition into a frieze, most notably by dividing it into two separate parts, pushing the figures to the foreground and cropping the architecture at the top. This frieze-li...

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