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Pen And Brown Ink Brown And Green Wash Heightened With Light Blue Gouache Over Black Chalk Acrylic Print featuring the painting The Garden of Love -right portion-. by peter paul rubens Workshop of Peter Paul Rubens

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The Garden of Love -right portion-. Acrylic Print

peter paul rubens Workshop of Peter Paul Rubens

by peter paul rubens Workshop of Peter Paul Rubens

Small Image

$74.00

Product Details

The Garden of Love -right portion-. acrylic print by peter paul rubens Workshop of Peter Paul Rubens.   Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic. The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results. Two different mounting options are available, see below.

Design Details

The Garden of Love (right portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen... more

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Acrylic Print Tags

acrylic prints peter paul rubens acrylic prints brown acrylic prints europe acrylic prints ink acrylic prints pastel acrylic prints watercolor acrylic prints 17th century acrylic prints baroque acrylic prints

Painting Tags

paintings peter paul rubens paintings brown paintings europe paintings ink paintings pastel paintings watercolor paintings 17th century paintings baroque paintings

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Artist's Description

The Garden of Love (right portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 18 3/4 x 27 13/16 in. (47.6 x 70.6 cm). Date: ca. 1633-35.
Rubens supervised the engravers who reproduced his paintings throughout his career. Only in the early 1630s did he turn to woodcuts, in close collaboration with Christoffel Jegher. These monumental drawings are models based on a composition also known from Rubens's painting in the Museo del Prado, Madrid. They were made for Jegher's woodcuts, which reproduce them in reverse. The initial design in black chalk is by Rubens, while most of the rest of the drawing can be attributed to a workshop assistant. The drawings essentially transform the composition into a frieze, most notably by dividing it into two separate parts, pushing the figures to the foreground and cropping the architecture at the top. This frieze-like adaptation gives the figural groups a...

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