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Pen And Brown Ink Brown And Green Wash Heightened With Light Blue Gouache Over Black Chalk Metal Print featuring the painting The Garden of Love -right portion-. by peter paul rubens Workshop of Peter Paul Rubens

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The Garden of Love -right portion-. Metal Print

peter paul rubens Workshop of Peter Paul Rubens

by peter paul rubens Workshop of Peter Paul Rubens

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$66.00

Product Details

The Garden of Love -right portion-. metal print by peter paul rubens Workshop of Peter Paul Rubens.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

The Garden of Love (right portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen... more

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Metal Print Tags

metal prints peter paul rubens metal prints brown metal prints europe metal prints ink metal prints pastel metal prints watercolor metal prints 17th century metal prints baroque metal prints

Painting Tags

paintings peter paul rubens paintings brown paintings europe paintings ink paintings pastel paintings watercolor paintings 17th century paintings baroque paintings

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Artist's Description

The Garden of Love (right portion). Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Workshop of Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 18 3/4 x 27 13/16 in. (47.6 x 70.6 cm). Date: ca. 1633-35.
Rubens supervised the engravers who reproduced his paintings throughout his career. Only in the early 1630s did he turn to woodcuts, in close collaboration with Christoffel Jegher. These monumental drawings are models based on a composition also known from Rubens's painting in the Museo del Prado, Madrid. They were made for Jegher's woodcuts, which reproduce them in reverse. The initial design in black chalk is by Rubens, while most of the rest of the drawing can be attributed to a workshop assistant. The drawings essentially transform the composition into a frieze, most notably by dividing it into two separate parts, pushing the figures to the foreground and cropping the architecture at the top. This frieze-like adaptation gives the figural groups a...

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